Threaded Floors:
As the Web Project's site-specific approach to weaving itself into the intrinsic qualities of the space, Jasmine threaded all 5 floors
together at 11 Spring. With several strands (each over 100 feet long, comprised of thousands of connected small rubber bands)
running the height of the building through consistent existing holes in the original 1888 wood floors, the viewers and feelers
interacted with the material and thus each other, feeling one another's reverberations from several floors away. As one touched a
strand on one floor, people on the other floors would feel and see their movement and gesture, being connected even though not
seeing each other.
As the Web Project's site-specific approach to weaving itself into the intrinsic qualities of the space, Jasmine threaded all 5 floors
together at 11 Spring. With several strands (each over 100 feet long, comprised of thousands of connected small rubber bands)
running the height of the building through consistent existing holes in the original 1888 wood floors, the viewers and feelers
interacted with the material and thus each other, feeling one another's reverberations from several floors away. As one touched a
strand on one floor, people on the other floors would feel and see their movement and gesture, being connected even though not
seeing each other.
Ephemera and the Urban Landscape: Wooster on Spring.
11 Spring, New York City December 15-17, 2006.
30,000 square feet (inside)
3 days
45 international artists
10,000 people, 10,000 rubber bands
infinite passion...
Book in the works!
11 Spring, New York City December 15-17, 2006.
30,000 square feet (inside)
3 days
45 international artists
10,000 people, 10,000 rubber bands
infinite passion...
Book in the works!
A 3 day celebration of ephemeral art curated by The Wooster Collective and hosted by Caroline Cummings and Bill Elias
interactive collaborative chain with line:
the beautiful, passionate people that came to see the show waited patiently in line for up to 5 hours. the line was consistently
5 blocks long for three days. with her appreciation for the passion of the people, jasmine did an interactive collaborative chain
with everyone in line that connected the interior to the exterior, and the line of people to the art and to each other. everyone
was happy and enthusiastic to participate, and they collectively made the world's longest rubber band chain...
the beautiful, passionate people that came to see the show waited patiently in line for up to 5 hours. the line was consistently
5 blocks long for three days. with her appreciation for the passion of the people, jasmine did an interactive collaborative chain
with everyone in line that connected the interior to the exterior, and the line of people to the art and to each other. everyone
was happy and enthusiastic to participate, and they collectively made the world's longest rubber band chain...
and inside...
Sara Krulwich/The New York Times
outdoor installation saturday afternoon...